App Breakdown #42 · Hipstamatic

The UI design of Hipstamatic, the analog camera app

Hipstamatic launched in 2009, roughly alongside Instagram. José finds custom craft in every corner of it, and a good reminder about where that craft should go.

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Hipstamatic is a retro camera and photo sharing app that, believe it or not, launched in 2009 0:00. Hipstamatic and Instagram kind of launched neck and neck, as some of the few useful apps on the App Store 0:11, back when Instagram was just a photo app and not a photo sharing app 0:20.

“But then Instagram implemented photo sharing and we all know how that went.” José, 0:24

The last time José downloaded it was about three years ago, when he was building a camera app himself. They do a lot of cool things, so he’s excited about this one.

Digital, made to look analog

It opens on a custom 3D video, under the line “Digital never looked so analog”:

“You notice the even the letters that are like just digital letters are slightly out of focus to feel more analog.” José

Even a plain Continue button gets the treatment: because the app wants to look analog, as if engraved in a photo, it blurs the digital button a bit, so it feels more organic.

“It's a very nice touch that they do a bit throughout.” José

A day of premium for everyone

When you download the app, you get premium for a day by default:

“This is an interesting approach to monetization. I don't think I've seen many apps do this.” José, 3:07

He’s seen freemium models and seven-day or one-month trials, but not, he thinks, the paid version given to everyone for a day.

A camera you step inside

Then the camera turns as you go into it 3:34:

“It tells you that you're in the physical thing.” José, 3:39

At the top there’s a counter for the premium day 3:51, and a button that turns the camera around, so it faces you 3:59:

“I had never seen this, this detail. It's actually so cool.” José, 4:06

The star of the show is the analog camera, with a little viewfinder in the middle 4:21:

The camera: a leather-textured body with a little viewfinder in the middle, blurred here, shutter speed, AUTO and ISO along its top, zoom along its bottom, and a big yellow shutter button

“We have settings all around and these are you can interact with them.” José, 4:29

Zoom puts a little mask on top that distorts the image 4:45, and tapping zoom opens a menu for fisheye and pinhole 4:52:

The viewfinder in fisheye mode, dark, with its corners marked, an f/2.2 aperture, an exposure scale and a FISH label

“I feel like they've used shaders probably for everything. That's just so cool.” José, 4:59

You can play with the exposure too, all with the engraved buttons 5:12. The menu opens inside the viewfinder:

The menu inside the viewfinder: “Hipstamatic Camera System” in orange, with Developing, Camera Lens and Filter Mode

“The menu also opens within the viewfinder.” José, 5:19

A slider in the middle turns on double exposure 5:38, and the flash button moves in and out:

“I love seeing the buttons go in and out.” José, 5:45

Shake to develop

He takes his first photo 6:07, and it comes down to the bottom with a nice animation 6:11:

“Shake to develop” above a pale photo, still developing

“Oh, shake to develop. Okay, so just like a physical photo, you have a whole shake interaction.” José, 6:15

The gear behind a photo

On the feed, the banner at the top is very hard to read, because of the yellow 9:20. Tap Gear on a photo 9:37, and it tells you the film, the lens, the iPhone and every setting used 9:40. You can tap Use to shoot with the same ones 9:48:

The gear panel for a photo: the Richmond preset with its sliders, the lens and film used, “Shot from the hip”, the iPhone and its settings, and Browse, Use and Share buttons

“And also I like this custom panel with the photo on the top left. Like this entire panel feels very aesthetic.” José, 9:51

Comments open in context: the photo just goes up, and you still see your camera up top 10:18. He’s not a fan of the little bubble, though that’s personal preference 10:26.

Likes you stamp on the back

Tap a photo, and you see its back 10:36:

“On good old printed photos, you write the date on the back. You write the memory on the back. You write where it was on the back.” José, 10:40

“That has been completely lost in digital photos, but Hipstamatic brings it back.” José, 10:48

The likes are stamps on that back 10:53. On any other social app, a like is just there among the others 11:02; here, you can see who stopped by a photo and what reaction they left, even on a stranger’s 11:10:

The back of a photo, covered in round stamps like Like This, Love This, Smile and Amazing, over the photo’s typed details

“So I think this is like basically LinkedIn reactions if they have any soul.” José

You can make your own stamp too, with the pen icon, from a whole set of symbols:

Stamp Graphic: a grid of symbols like a heart, a star, a drop and a recycling sign, above the keyboard and “Or type an emoji to create a sticker”

“We have all of these symbols here, and all of these are like custom views. Like, this is incredible.” José

A feed that moves too much

Between photos, each one straightens, and its creator and settings come out from behind it 13:09:

“It's cool if you see it once or twice, but on every photo that you go through, it's a bit too much.” José, 13:14

“Like it feels heavy and it feels tiring.” José, 13:20

A camera pinned up top

Wherever you go in the app, the camera stays pinned up top 14:06. But you can’t swipe back up to it 13:57; to get back, you press the middle button, which looks like a shutter 14:10:

“The way to access and exit the camera should feel cohesive. Like if it's up, let me swipe. If it's there, let me tap.” José, 14:16

“If it's here, don't take the button away.” José, 14:24

“And in general, I think this is just something that Hipstamatic does a lot, which is try to reinvent the wheel.” José, 14:32

Two feeds

On the right of the camera is another feed, What’s New, with the top nine, activity, buddy activity and a feedback forum:

“I don't really know what What's New feed is, to be honest. Like, why not just put this in the feed?” José, 17:53

“It feels like they were basically trying to do too much.” José, 17:59

A profile like no other

“The profiles on Hipstamatic are very rich. They don't look like any other profile.” José, 18:21

On someone else’s profile there are entry animations for everything 18:50, and you can open each of their stamps 18:56:

Another photographer’s profile, with one of their stamps opened, a Photo Walk sticker, and a row of kudos stamps to give it

“So this is just exceptionally cool.” José, 19:01

You can even like the stamps 19:03. There’s a passport for every stamp you get, and everything is animated:

“I feel like they overdo it, but anyway.” José

Lenses and films made by people

The menu at the top right picks lenses and films 20:43, and the lenses are made by people 20:51. He picks a film, HipstaBoy Color 21:02, and even the flashes are custom 21:10:

Films: a black and white photo of a small car as a preview, then No Film, Sultan 1912 and HipstaBoy Color

“So the amount of play you can do with this app, the amount of play you can do with all the settings is just out of this world.” José, 21:32

The verdict

He closes with a rant he feels the app deserves 21:40. If you’re extremely good at UI and animation, there’s often a temptation to put them everywhere, to reinvent navigation, and to make the best camera, editor, settings and feed 21:57. But very often, if you’re trying to make a successful app:

“It's much more important to focus on the thing that actually matters, your differentiation point, and really put the craft and all the reinvention you want into it.” José, 22:24

“But then on everything else, basically just use what's standard, use what the user is expecting.” José, 22:35

When you reinvent, you also often confuse the user 22:41.

“And I've done this mistake a bunch myself, which is why I'm speaking about it.” José, 22:50

“I think Hipstamatic is a great example to look for little details of animation, little details of UI, little details of almost everything, and to copy them, to put them on your app.” José, 22:53

“Hipstamatic is an incredible piece of craft, incredible piece of work, a great reminder that sometimes less is more.” José

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